Leviathan - S/T (Forgotten Jewels FJ LP 004) 1990
Artist/Band: Leviathan
Album: Self-titled
Label: Forgotten Jewels
Catalog#: FJ-004
Release: 1990
Printed in Germany
Genre: Rock, Psychedelic Rock
Total Time: 00:55:59
• Некоторое время тому назад этот альбом появился в Великобритании через многие самые известные псих / прог / бит-музыкальные точки распространения и продаж. Лейбл родом из Бремена, Германия, и сразу стало очевидно, что мало что можно узнать о группе из сопроводительной информации к её релизу. Помимо списка треков, вошедших в альбом, из содержания которого следует, что исполнителем треков 1-3 является "The Shivering Span", а треков 4-12 - "Leviathan", больше там ничего и не было. Составители этого списка, должно быть, имели в виду сборник "Psychedelic Dungeon", включающий две песни Майка Стюарта Спэна (Mike Stuart Span), поскольку буклет, прилагаемый к конверту пластинки, воспроизводит старую статью о записи выступления группы для фильма "Better A Widow". Статья описывает, как четверо музыкантов выступали в Гайд-парке, их снимали на камеру, а поскольку было это в середине декабря, то музыканты порядком утеплились, надев сверху футболки с надписью "Shivering Span". Всё это говорится для того, чтобы было понятно, какое тщательное исследование пластинки было проведено! Что касается собственно LP, то нужно отметить, что материал для него был в основном отобран из синглов группы, записей радио-сессий, а также включал некоторые неизданные ацетаты. В целом альбом был сделан довольно дрянным образом, с небольшими стараниями и усилиями, которые, тем не менее, могли бы превратить его в очень хороший релиз, если бы ещё кто-нибудь сделал обложку получше, по крайней мере не с такой бессмысленной вставкой. Но и это всё можно отставить в сторону, поскольку музыка здесь всё-таки превосходная; Span / Leviathan сочинили и исполнили некоторые из самых психо-прогрессивных вещей, присущих той эпохе, и любой, кто имеет копию альбома, несомненно, будет проигрывать её снова и снова. Это лучший способ для того, чтобы говорить о содержимом альбома, чем слышать о нём от того, кто жил в то самое время, не правда ли?
•
A band with a confusing name and a confusing history, the Mike Stuart Span did manage to record a classic British psychedelic single in 1967, "Children of Tomorrow." With its driving power chords, squealing guitar leads, and haunting harmonies, the song struck a classic midpoint between hard mod-pop and the early psychedelia of UK groups like the Pink Floyd and Tomorrow. The problem was that hardly anyone actually heard the record, as it was pressed in a run of 500 copies on a small independent label.
The Brighton group had been around since the mid-'60s, and recorded a few other singles for Columbia and Fontana with a much more conventional pop approach. There was actually no one named Mike Stuart in the act, which began to rely much more upon self-penned psychedelic material in 1967. Most of this never got beyond the demo/Peel session stage, though. The band was pressured by management to make an out-and-out pop single in 1968 that flopped, helping to squelch any prospects of the musicians asserting themselves as a significant presence in the British psych/prog scene.
In the late '60s, the Mike Stuart Span were actually featured in a BBC TV documentary entitled A Year in the Life (Big Deal Group), which charted the band's successes and (more commonly) failures over the course of a year. By the time it aired in September 1969, however, the group had changed their name to Leviathan, signed with Elektra, released a few singles, completed an unreleased album, and broken up. Nothing else they recorded matched the brilliance of "Children of Tomorrow," though most of their original material was infused with the same yearning for some sort of just-past-the-horizon utopia. But they left behind a number of demos that demonstrated a promising ability to wed hard psychedelic guitars with a fair knack for melody and harmony. Interest in the band increased in the '80s when "Children of Tomorrow" was featured on a few psychedelic compilations. An entire album's worth of tracks, culled from singles, demos, and a BBC session, finally saw the light of day in the mid-'90s. ~ Richie Unterberger
The Brighton group had been around since the mid-'60s, and recorded a few other singles for Columbia and Fontana with a much more conventional pop approach. There was actually no one named Mike Stuart in the act, which began to rely much more upon self-penned psychedelic material in 1967. Most of this never got beyond the demo/Peel session stage, though. The band was pressured by management to make an out-and-out pop single in 1968 that flopped, helping to squelch any prospects of the musicians asserting themselves as a significant presence in the British psych/prog scene.
In the late '60s, the Mike Stuart Span were actually featured in a BBC TV documentary entitled A Year in the Life (Big Deal Group), which charted the band's successes and (more commonly) failures over the course of a year. By the time it aired in September 1969, however, the group had changed their name to Leviathan, signed with Elektra, released a few singles, completed an unreleased album, and broken up. Nothing else they recorded matched the brilliance of "Children of Tomorrow," though most of their original material was infused with the same yearning for some sort of just-past-the-horizon utopia. But they left behind a number of demos that demonstrated a promising ability to wed hard psychedelic guitars with a fair knack for melody and harmony. Interest in the band increased in the '80s when "Children of Tomorrow" was featured on a few psychedelic compilations. An entire album's worth of tracks, culled from singles, demos, and a BBC session, finally saw the light of day in the mid-'90s. ~ Richie Unterberger
•
A-Side:
01. Time (John Peel session version) 04:08
02. Children of Tomorrow (John Peel version) 03:15
03. My White Bicycle (again from the Peel session) 03:16
04. Remember The Times 02:48
05. Second Production 03:41
06. World In My Head 04:28
07. Flames 05:01
• B-Side:
01. Shades of Autumn (Peel version) 05:42
02. Blue Day 06:12
03. Time (Alternate version) 04:06
04. The War Machine 05:24
05. Evil Woman 07:52
01. Time (John Peel session version) 04:08
02. Children of Tomorrow (John Peel version) 03:15
03. My White Bicycle (again from the Peel session) 03:16
04. Remember The Times 02:48
05. Second Production 03:41
06. World In My Head 04:28
07. Flames 05:01
• B-Side:
01. Shades of Autumn (Peel version) 05:42
02. Blue Day 06:12
03. Time (Alternate version) 04:06
04. The War Machine 05:24
05. Evil Woman 07:52
Musicians:
Stuart Hobday - Vocals
Brian Bennett - Guitar
Gary 'Roscoe' Murphy - Drums
Roger McCabe - Bass
Brian Bennett - Guitar
Gary 'Roscoe' Murphy - Drums
Roger McCabe - Bass
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☆☆☆☆☆☆☆☆☆ -----
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